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Benefice HomeBeauworth, St James Bramdean, St Simon & St Jude Cheriton, St Michael Church in the Wood Hinton Ampner, All Saints Kilmeston, St Andrew Tichborne, St Andrew

History of St Michael's Church, Cheriton

Exterior
St Michael & All Angels is a 12th century Grade I listed building. It is built on an ancient pre-historic burial mound. Substantially repaired following a major fire in 1744, it is of flint and stone construction with some 18th century brick dressings. There is a red plain clay tiled roof. The chancel has a 15th century window, whilst the remaining windows are mainly early 20th century Tudor style. The tower has a a ring of six bells. The south porch is original 12th century. The church building has seating capacity 200 plus 32 in choir stalls and room for wheel chairs. Cheriton was a major parish in the middle ages having within its borders the two chapels of Kilmeston and Tichborne as well as the area of Beauworth.

The Chancel and Interior
There is a chancel and nave of equal width and north and south aisles. The Walker & Son two manual organ was built in 1910.

The church has a fine east window in the chancel dating from the 15th century and various other features which are of historic and architectural interest, including a scratch dial (to show the time for mass) on the outside of the porch.

The Piscina and Aumbry
In the south wall of the sanctuary is a trefoiled piscina for washing the communion vessels; there is a shelf and two brackets but the basin and drain have been removed. It is of 13th century work and would have been moved eaastward to its present position when the chancel was lengthened. At the same time the two transomed 14th century Perpendicular windows were inserted in the north and south walls.

The Nave and Ailes
The nave is the same width as the chancel and has arcades of three bays each side; it preserves the width of the older and probably aisle-less nave to which the former chancel belonged. The arcades of the three bays are dated about 1220, the date at which it may be may be presumed that the aisles were added. The arcades have pointed arches of two chamfered orders which spring from short thick pillars with moulded capitals and bases with spurs on the corners; they are of the same period as the lofty arch which separates the chancel from the main body of the church. Following four years of drought, the church suffered a terrible fire in May 1744, but the church was restored within two years.

St Raphael's Chapel
To join the patronage of St Michael the archangel, new chapels have been dedicated at the east end of each aisle, where undoubtedly there would have been chapels in the middle ages. In the north aisle we have chosen St Raphael the archangel who is usually associated with the gifts of healing. A new altar and frontal have been given, and other furnishings will be added shortly, including an aumbry for storing the holy oils for anointing the sick and baptism candidates as well as the oil of chrism.

Chapel of Our Lady and St Gabriel
The second new chapel is dedicated to the Mother of Jesus, and also to the Archangel who announced to her the birth of the Saviour. The theme of this chapel is 'God with us', and later furnishing which include an aumbry for the reserved sacrament of bread and wine. This will be used for 'extended communion' both to the sick and for services in other churches where a priest is not present. The colour of the frontal 'iris', reflects colours in the window of the chapel (see below). Both chapels will be used for midweek services.

The Windows
Lady Chapel Window: the stained glass of the east window of the south aisle was installed in 1946 to the memory of Mary Augusta Phipps Egerton 'who went about doing good'. It is medieval in conception though modern in execution for the benefactress herself appears in the right hand light, while in the left is a delightful Madonna and Child; the background has views of the village.

Stained Glass and Knightly Virtues: Mrs Phipps also installed glass in the four stone windows of the north and south nave in memory of her nephews who were killed in the First World War. They depict the knightly virtues of Duty, Courage, Loyalty and Honour, each bearing the face of one of her nephews. Accompanying the figures are scenes from the Bible, the saints and the legends of King Arthur, with the badges of their schools and regiments. These windows and that in the Lady Chapel are all the work of Martin Travers.

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